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Rather than presenting a thesis in linear form, Jafa builds a field of visual correspondences—rhymes, frictions, affinities—that resist easy resolution. The result is not chaos but a charged clarity, one that asks viewers to reconsider how museums make meaning, and at what cost.

The post Arthur Jafa Rearranges MoMA, Turning “Less Is More” Into a Moral Reckoning, NYC (Article & Video) appeared first on ArteFuse.