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The Whitney Biennial has never been a mirror so much as a tuning fork. It vibrates in sympathy with the moment, amplifying discord as readily as harmony. The eighty-second edition, gathering fifty-six artists, duos, and collectives, does not pretend to coherence. Instead, it leans into simultaneity — many voices speaking at once, sometimes over one another, sometimes in unexpected unison. The result is less an argument than a condition.

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